Research Data

Sounding the Reef: Comparative Acoustemologies of Underwater Noise Pollution—Album

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General
Title
Sounding the Reef: Comparative Acoustemologies of Underwater Noise Pollution—Album
Type
Dataset
Date Record Created
2020-03-11
Date Record Modified
(no information)
Language
English
Coverage
Date Coverage
2017-07-01 to 2018-11-15
Time Period
(no information)
Geospatial Location
Description
Descriptions
  1. Type: full

    This album collects 13 audio tracks published in Sounding the Reef: Comparative Acoustemologies of Underwater Noise thesis for PhD by Matthew Buttacavoli. These tracks illustrate a variety of underwater acoustic phenomenon or associated data. The tracks consist of seven (7) hydrophone recordings, four (4) monologues, and one (1) sound art piece.

    Tracks 1-4, 13 consist of hydrophone recordings made by the author. They were collected during the fieldwork season from July 2017-January 2018 at various reefs within the Great Barrier Reef Marine Park, Cairns/Cooktown Management Area. These recordings were collected via hydrophone dropped from the deck of a commercial dive vessel while the vessel was moored. The recording was then edited in Adobe Audition.

    Tracks 6, 8-10 are monologue stories collected from experts in Seattle (US), Friday Harbor (US), and Victoria (Canada). Each speaker was prompted to tell one story about sound and the Salish Sea. Stories were recorded using a Zoom H4 audio recorder and then edited in Adobe Audition.

    Track 12 is a sound installation piece which collects four composed sound art pieces commissioned by the author and one field recording by the author (consistent with the methods used in tracks 1-4, 13). The artists were prompted to use the field recording to produce a sound art piece addressing the possible future state of the Great Barrier Reef. The pieces were then combined into one track.

    Tracks 5, 7, 11 are hydrophone recordings produced by Orcasound and used in this dataset and thesis under Creative Commons license (CC BY-NC-SA 4.0). All recordings were made via hydrophone in the Salish Sea, in or around the San Juan Islands archipelago.

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People
Creators
  1. Managed by: Mr Matthew Buttacavoli , matthew.buttacavoli@my.jcu.edu.au , College of Arts & Society & Education
Primary Contact
Mr Matthew Buttacavoli, matthew.buttacavoli@my.jcu.edu.au
Supervisors
  1. A/Prof Jennifer Deger , jennifer.deger@jcu.edu.au
Collaborators
  1. Orcasound
  2. Anna Jalving
  3. Adam Purdy
  4. Ingibjörg Yr
  5. Jeremy Mayall
  6. Sebastian Lowe
Subject
Fields of Research
  1. 160104 - Social and Cultural Anthropology (160104)
  2. 220206 - History and Philosophy of Science (incl. Non-historical Philosophy of Science) (220206)
Socio-Economic Objective
  1. 9607 - Environmental Policy, Legislation and Standards (9607)
Keywords
  1. noise
  2. sound studies
  3. sound art
  4. Anthropocene
  5. environmental anthropology
  6. environmental humanities
  7. science and technology studies
  8. acoustic ecology
  9. Southern Resident Killer Whales
  10. noise pollution
  11. hydrophone
  12. Great Barrier Reef
  13. Salish Sea
Research Activity
(no information)
Research Themes
Tropical Ecosystems, Conservation and Climate Change
People and Societies in the Tropics
Rights
License
CC BY-NC-SA 4.0: Attribution-Noncommercial-Share Alike 4.0 International
License - Other
(no information)
Access Rights/Conditions
Open access. If the data is not freely accessible via the link provided, please contact the nominated data manager or researchdata@jcu.edu.au for assistance.
Type
open
Rights
(no information)
Data
Data Location
Online Locations
  1. https://cloudstor.aarnet.edu.au/plus/s/FXXI1hzMmb2eX3G
Attachments
  1. SoundingTheReef_Album.zip (Storage Attachments, Public)
Stored At
(no information)
Citation
Cite:
Buttacavoli, M. (2020): Sounding the Reef: Comparative Acoustemologies of Underwater Noise Pollution—Album. James Cook University. (dataset). http://dx.doi.org/10.25903/5e5f126817ab5
Digital Object Identifier (DOI):
10.25903/5e5f126817ab5